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thank you, School of Earth Sciences at Melbourne University for allowing us to track our pain.
in which the editors eat a lot of cake
One of the wonderful things about working with kids books is having the opportunity to slip quietly into so many different worlds.
With a lovely long weekend of reading beckoning, here's our list of books to get lost in.
1: Wolf Brother by Michelle Paver
Set thousands of years ago in the cold far north when the land is one dark forest. 12-year old Torak and his wolf cub companion must find a way to destroy the evil bear demon that killed his father. Someone who shall remain nameless (Lili Wilkinson) called this 'Clan of the Cave Bear for kids'. Rawther less sex than Clan, however, and much more cool magic.
Set in a future world where everyone has cosmetic surgery when they turn sixteen, making them into a Pretty - and supermodel beautiful. 15 year old Tally Youngblood learns to be careful what you wish for, and finds rebellion more appealing than her Pretty-head could ever have imagined. And oh hello - hoverboards!
3: Playing Beatie Bow by Ruth Park
14 year old Abigail is transported back 100 years to Sydney 1873. There she discovers a whole new world - and how difficult life was for the families struggling on the poverty line in The Rocks area of Sydney. If you studied it at school and didn't like it, try try again.
Garth Nix is a genius at creating completely believable, utterly compelling worlds. But I don't think you'd want to holiday in the Old Kingdom because the dead just won't stay dead. Awesome heroine, completely terrifying bad guys, and, best of all, Mogget - the small white cat with a shady past, dubious alliances and an uncertain future.
5. A Wrinkle in Time by Madeleine L'Engle.
Your father is regularly consulted by the president, your mother is a stunningly beautiful Nobel Prize-winning scientist, and you live in a beautiful old farmhouse somewhere in New England (where your mother cooks meals on her Bunsen burner). Your life is probably pretty perfect, right? Not if you're Meg Murray, you're mousey and defensive, you get into fights protecting your weird little brother and your father has disappeared. But if you thought you had problems to begin with, Meg, just wait until you discover that THERE IS SUCH A THING AS A TESSERACT. (And thank you, Calvin O'Keefe, for proving once and for all that orange hair can be hot.)
6: The Singer of All Songs by Kate Constable
In the world of Tremaris, magic is fading away. Calwyn must discover her powers of chantment if she is to survive outside the Ice Wall of Antaris. We should have put this one on the YA Love List. Calwyn/Darrow URST = HOTT.
7. Anything by Philip Pullman, Ursula Le Guin, Diana Wynne Jones.
Enough said.
muffin topWord of the Year 2007 was:
noun Colloquial the fold of fat around the midriff which, on an overweight woman, spills out over the top of tight-fitting pants or skirts.
(oh dear)
pod slurpingAnd the 2007 The People's Choice Award was:
noun the downloading of large quantities of data to an MP3 player or memory stick from a computer.
password fatigue
no definition required. sigh.
flashpacker
noun Colloquial a backpacker who travels in relative luxury.
Wii shoulder
noun painful inflammation of the shoulder caused by excessive playing of virtual computer games involving movement.
(though we wonder if this one is a little behind the times as Onion encounters with Wii shoulder were way back in 2007)
bromance
noun Colloquial a non-sexual but intense friendship between two males.
And the one that landed today is A Croc Called Capone
by the always entertaining Barry Jonsberg.
Barry made a big splash in the YA world with his very first book (known in the House simply as Kiffo). Since then he's been busy, writing three more terrific YA novels, a great Girlfriend Fiction and the fast and funny The Dog that Dumped on My Doona for younger readers. So in celebration of The Croc, we have a guest post from Barry. Take it away Barry:
A keen sense of audience is important for a writer.
So I would like to say at the outset that book editors are, in my opinion, the most talented, charming, brilliant, gifted, diplomatic and wonderful people I have ever known.
This self-evident truth was brought to my attention immediately after my first book, The Whole Business With Kiffo and the Pitbull, was accepted for publication by Allen & Unwin. Given that I live and work in Darwin [“somewhere up there”], personal meetings were impossible, so the whole editing process was conducted primarily by email. I was thrilled to be informed, in the first email contact, that my manuscript was ‘brilliant’, ‘hilarious’, ‘immaculately written’ and ‘the greatest work of fiction in the English language’ [okay, I’ve lost that email, but it was words to that effect]. My ego inflated to the size of Uluru, I read on to the second paragraph which hinted there were just one or two, very minor, hardly-worth-bothering-about, teensy-weeny, minuscule areas where the manuscript could be marginally improved. As it turned out, these areas were:
and involved eighteen months of re-writing.
Some writers have a reputation for being unreceptive to criticism [“Take out the word ‘the’?. I chose that word after months of agonising over alternatives. Remove it and you might as well rip my heart out.”], so this diplomacy is both practical and generous.
I just think it’s fantastic.
If I’m feeling bad about myself, I only read the first paragraph. If I want to get something done, I go straight to the second.
Words and editors, editors and words. I love ’em both.